Bollywood cinema is unique in that the majority of songs are seen to be sung by the characters themselves rather than being played in the background.  In Western cinema, often a composer who specializes in film music is responsible for the bulk of music on the film's soundtrack, and while in some films songs may play an important part (and have direct relationship to the subject of the film), in Bollywood films, the songs often drive large-scale production numbers featuring elaborate choreography. Also in western films, a music director or "music coordinator" is usually responsible for selecting existing recorded music to add to the soundtrack, typically during opening and closing credits, whereas In Bollywood films, the music director often has a much broader role encompassing both composing music/songs specifically for the film and (if needed) securing additional (licensed) music, whereas the lyricist of Bollywood songs is less likely to be the same composer or music director, as Bollywood films often go to great lengths to include lyrics of special significance and applicability to the film's plot and dialogue, and/or the words of highly-regarded poets/lyricists set to music written specifically for such words in the film, as noted above. Bollywood film songs have been described as eclectic both in instrumentation and style.  They often employ foreign instruments and rework existing songs, showing remarkable inventiveness in the reinvention of melodies and instrumental techniques. 
Indian cinema, with its characteristic film music, has not only spread all over Indian society, but also been on the forefront of the spread of India's culture around the world. :14 In Britain, Hindi film songs are heard in restaurants and on radio channels dedicated to Asian music.
Asha considered Jaidev a close friend who stood by her when she was struggling personally and professionally. Upon his death in 1987, she released a compilation album of lesser-known songs he had composed for her, called Suranjali. 
Shankar-Jaikishan worked relatively little with Asha. However, the trio produced quite a few hits including the seductive "Parde Mein Rehne Do" (Shikar, 1968).
R. Rahman's compositions, Madhushree hails from a musically inclined family, having previously been trained in classical and western styles music. Her father wanted her to be a classical singer, Madhushree joined the Rabindra Bharati University and completed her masters, but her desire was always to be a playback singer. 2001 "Mohabbath Zindagi Hai" Moksha Rajesh Roshan Solo
2002 "Nainaa Milaike" Saathiya A. R. Rahman Sadhana Sargam
2003 "Na Shiqwa Hota" Tehzeeb A.
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Even with these opposing vary considerations, the Hindustani singing range shakes out to be markedly lower than the Western one. For example, the vary of a female singer who sings in A 3 will go comfortably down to an E under middle C, and up to a C#, and possibly an E inside the treble workers. Above the E is taken into account virtuosic, whereas in Western music, it's commonplace for a excessive-voiced female singer (even a non-skilled one) to sing up to G and even A above the staff. The Carnatic (South Indian classical) vary is often decrease still. Purchase your Saavn Professional subscription with In-App Purchases beginning at $three. 99 monthly in US, and Rs one hundred twenty in India, with extra discounted prices for 3 month ($7. 99 US / Rs 300 India), 6 month ($19.
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