Text Album: Sanam Teri Kasam Composers: Himesh Reshammiya Music: Eros NowThe Best New Way to Find A Flat in BerlinLive in Berlin - nestpick10 Perfectly Timed Photos Which Are So Amazing And Funnyquotespaper. comRecommended By Colombia Rating: 3 Nine songs in an album is a rare feat these days. But with Himesh Reshammiya's sharp sense of melody at the helm of things, this is an album that shows promise. The title track is a soothing number and its twin versions are equally appealing. While Ankit Tiwari's version sets the melancholic mood right, Mohammad Irfan's heartfelt singing is top-notch. Unfortunately, Palak Muchhal has limited scope in the song, but she manages to leave a haunting impact with her wonderful voice. More than the vocals, the song works because of its strong musical arrangement.
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Road song 'Safarnama' marks a comeback of sorts for Lucky Ali who sounds a lot like Rahman here. Instrumental number 'Parade de la bastille' makes good use of violins and bagpipes. 'Tu koi aur hai' is a gentle number with Rahman behind the mike, and Alma Ferovic and Arjun Chandy bringing a mellow close. No tamasha (drama) here, just pure experimental music. For latest Music updates follow us on Twitter >>> @TOIEntertain For the latest in Music news, like us on Facebook >>> TOIEntertain For more interesting Music news and pictures follow us on Pinterest>>> timesofindia For latest Music updates follow us on G+ >>> The Times of India Entertainment WATCH: Ranbir Deepika's intense liplock scene for Tamasha - TOI Film: Prem Ratan Dhan Payo Composer: Himesh Reshammiya Music: T-Series Price: Rs 199 Rating: 4 Bollywood: Sooraj R Barjatya films are famous for their celebratory mood, ensemble casts, festive music and chorus-heavy songs. The music album of the film Prem Ratan Dhan Payo has Himesh Reshammiya delivering the auditory goods while Irshad Kamil has written the songs for the Salman Khan starrer. The Salman-Himesh combination has been a hit in the past.
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Bollywood cinema is unique in that the majority of songs are seen to be sung by the characters themselves rather than being played in the background. [citation needed] In Western cinema, often a composer who specializes in film music is responsible for the bulk of music on the film's soundtrack, and while in some films songs may play an important part (and have direct relationship to the subject of the film), in Bollywood films, the songs often drive large-scale production numbers featuring elaborate choreography. Also in western films, a music director or "music coordinator" is usually responsible for selecting existing recorded music to add to the soundtrack, typically during opening and closing credits, whereas In Bollywood films, the music director often has a much broader role encompassing both composing music/songs specifically for the film and (if needed) securing additional (licensed) music, whereas the lyricist of Bollywood songs is less likely to be the same composer or music director, as Bollywood films often go to great lengths to include lyrics of special significance and applicability to the film's plot and dialogue, and/or the words of highly-regarded poets/lyricists set to music written specifically for such words in the film, as noted above. Bollywood film songs have been described as eclectic both in instrumentation and style. [6] They often employ foreign instruments and rework existing songs, showing remarkable inventiveness in the reinvention of melodies and instrumental techniques. [7] Indian cinema, with its characteristic film music, has not only spread all over Indian society, but also been on the forefront of the spread of India's culture around the world.
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The lines by Siddharth-Garima are nothing short of poetic. Bhansali gives a twist to Ustad Sultan Khan's song 'Albela sajan'. He brings together singers Shashi Suman, Kunal Pandit, Prithvi Gandharva, Kanika Joshi, Geetikka Manjrekar and Rashi Ragga to make this happen. 'Ab tohe jane na dungi' is a romantic number in a serious mode with Payal Dev and Shreyas Puranik on playback.
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No children 17 and under (maybe not really 17) is supposed to be admitted to see an NC-17 ranked film. Violence: Can be extreme, exaggerated and Graphic and a tremendously massive quantity of bloodstream and gore (Screaming of Pain Can be heard) Medicines: Stronger Drug Abuse Intimate Content: Can be an explicit or violent sexy scene, including scenes of rape or intimate attack, and Graphic Nudity Vocabulary: exact same as R but could have a very good intimate dialogue or even more offensive terms. Read as much as you are able to in Hindi. Happily, there's a great deal of online resources offered in Hindi, including old newspapers, blog sites, and social news. Additionally there is a tradition of Hindi literature dating back to the 760s CE, full of poets, philosophers, and religious authors. [32] Dainik Jagaran is the most common Hindi newspaper in India.
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