Arijit Singh gets behind the mic for Tera Chehra and the song is right up his alley. This soft number benefits Arijit's nuanced singing; he lends it a certain subtlety and ups the melody quotient manifolds. Bewajah, that is both sung and composed by Himesh himself, is a fabulous love ballad. The potential of this track cannot be undermined and probably a more powerful singer could've enhanced it. But Himesh's raw voice adds a rustic texture to it. The smooth blend of piano and guitar gives this song an edge.
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'Malhari' is a more contemporary celebratory number, with Vishal Dadlani getting throaty behind the mike. Listen to songs of Bajirao Mastani on Gaana. com 'Mohe rang do laal' is a classical Kathak number by Shreya and also features Pandit Birju Maharaj. The lines by Siddharth-Garima are nothing short of poetic. Bhansali gives a twist to Ustad Sultan Khan's song 'Albela sajan'.
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'Toote Taare,' which comes from the band Raeth, is lyrically strong. The words have a sad undertone to them but the band repeats its stock tunes and fails to conjure up anything novel. 'Mera Kissa' by Vivek, too suffers from the same problem and its electro-rock arrangement doesn't click. The final song 'Aan Bam' is folksy and Ustaad Anwar Khan Manganiyar's earthy voice gives it an edge.
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