R Rahman while Kahan Hun Main Lyrics are authored by Irshad Kamil. Tune: Kahaan Hoon Principal Singer: Jonita Gandhi Music: A. R. Rahman Lyrics: Irshad Kamil Celebrity Cast: Alia Bhatt, Randeep Hooda Music on: T-Series
Kahaan hoon main Kahaan hoon primary ab Kahaan hoon main Kahaan hoon primary ab. Aahein, darr, khushi, raaste Kachchi baatein, sachche vaaste Kahin pe in sab mein Kahaan hoon. primary ?
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- Kanika Kapoor does a Munni Reloaded with the catchy Jawaani Le Doobi, that soars higher due to Ikka's rap beats in it and newcomer Uvie's singing.
- The good blend of folksy and techno tunes is sure to make this a hit in the party circuits.
- It is unfortunate that the title track of the film is its most disappointing number.
- Though Benny Dayal's energetic vocals along with Shivranjani Singh's spirited rendering tries to elevate the song, it remains mediocre for most part.
- Even in this album, Sajid-Wajid steer clear from experimenting.
- The average soundtrack will work just with the target audience and get many gyrating to its unabashed tunes.
- Listen to Kyaa Kool Hai Hum songs on Gaana.
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Arijit Singh's rich voice is placed in the spotlight, which enhances the composition. Arijit and his composers never lose sight of melody which makes the song the sole good thing in the album. Staying in the same vein, 'Coffee' too is an upbeat song. The catchy tune, quirky words and pleasant rendering by Siddharth Amit Bhavsar works in favour of the song. 'Band of Bandagi' get together for the final song called 'Kalol Ho Gaya'. It is difficult to describe the song. Not a terrible number but hardly worth an encore.
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The Hindi film song now began to make its presence felt as a predominating characteristic in the culture of the nation and began to assume roles beyond the limited purview of cinema. In multi-cultural India, as per film historian Partha Chatterjee, "the Hindi film song cut through all the language barriers in India, to engage in lively communication with the nation where more than twenty languages are spoken and . scores of dialects exist". [4] Bollywood music has drawn its inspiration from numerous traditional sources such as Ramleela, nautanki, tamasha and Parsi theatre, as well as from the West, Pakistan, and other Indic musical subcultures. [5]
For over five decades, these songs formed the staple of popular music in South Asia and along with Hindi films, was an important cultural export to most countries around Asia and wherever the Indian diaspora had spread. The spread was galvanised by the advent of cheap plastic tape cassettes which were produced in the millions till the industry crashed in 2000.
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(1956). She first achieved success in B. R. Chopra's Naya Daur (1957), composed by him. Her duets with Rafi like "Maang Ke Saath Tumhara", "Saathi Haath Badhana" and "Uden Jab Jab Zulfein Teri", penned by Sahir Ludhianvi, earned her recognition. It was the first time she sang all the songs for a film's leading actress. Chopra approached her for several of his later productions, including Gumrah (1963), Waqt (1965), Hamraaz (1965), Aadmi Aur Insaan (1966) and Dhund (1973).
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