In 1934 Hindi film songs began to be recorded on gramophones and later, played on radio channels, giving rise to a new form of mass entertainment in India which was responsive to popular demand.  Within the first few years itself, Hindi cinema had produced a variety of films which easily categorised into genres such as "historicals", "mythologicals", "devotional, "fantasy" etc. but each having songs embedded in them such that it is incorrect to classify them as "musicals". 
The Hindi song was such an integral features of Hindi mainstream cinema, besides other characteristics, that post-independence alternative cinema, of which the films of Satyajit Ray are an example, discarded the song and dance motif in its effort to stand apart from mainstream cinema.
Yeh Galiyan Yeh Chaubarafaisal khan atanga chandpur (Prem Rog, 1982)
These lanes and squares. you will not come here again. Pi Ke Ghar Aaj Pyari Dulhaniya Chali (Mother India, 1957)
For her beloved's home, the lovely bride leaves. Babul ka ye ghar behna ek dinka thikana hai (Daata, 1989)
This father's home is just a day's stay, my sister
Baabul Jo Tumne Sikhaya. Sajan Ghar Mein Chali Hum Apke Hai Kaun
kehta hai babul babul
Kabira (Encore) (Yeh Jawaani Hai Deewani, 2013)
Arrival of the newlyweds
Main to bhuul chalii baabul ka des (Saraswatichandra, 1968)
I have started to forget my daddy's country. Aaye Ho Meri Zindagi Main (Raja Hindustani,1996)
Mere Hathon Main Nau Nau Chodiyan (Chandni, 1989)
I have nine bangles in each of my hands.
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Danish Sabri's House Party, sung by Sajid and Wajid is strictly for the party-goers this season. The obvious inspiration from Honey Singh's Party All Night (Boss) is evident but the sin can be pardoned as the track has all elements of being a crowd-pleaser. The addictive words of the hookline are enough to salvage the misdeeds of this number. Kanika Kapoor does a Munni Reloaded with the catchy Jawaani Le Doobi, that soars higher due to Ikka's rap beats in it and newcomer Uvie's singing. The good blend of folksy and techno tunes is sure to make this a hit in the party circuits. It is unfortunate that the title track of the film is its most disappointing number. Though Benny Dayal's energetic vocals along with Shivranjani Singh's spirited rendering tries to elevate the song, it remains mediocre for most part.