[1] Alisha was introduced to Hindi film music by the veteran music director and composer Bappi Lahiri. They had many disco hits together in many films in the 1980s including "Tarzan", Dance Dance, Commando, Guru, Love Love Love, etc. When she started her career with him, she was doing playback singing for many leading actresses, such as Karisma Kapoor, Smita Patil, Mandakini, Sridevi, Juhi Chawla, Madhuri Dixit, Divya Bharti. In 1985, Alisha sang with Remo Fernandes in the album Old Goan Gold. She also recorded a song for Pankuj Parashar's film Jalwa (1987), composed by Anand-Milind. One of her biggest hits during the 80s was "Kaate Nahin Katthe" (Mr. India) in 1987, which she recorded with Kishore Kumar under the music direction of Laxmikant-Pyarelal.
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This soft number benefits Arijit's nuanced singing; he lends it a certain subtlety and ups the melody quotient manifolds. Bewajah, that is both sung and composed by Himesh himself, is a fabulous love ballad. The potential of this track cannot be undermined and probably a more powerful singer could've enhanced it. But Himesh's raw voice adds a rustic texture to it. The smooth blend of piano and guitar gives this song an edge. It is novel thinking when any composer uses Arijit for something more than romantic songs.
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Shreya Ghoshal and Javed Ali give it their best. Shreya's singing has the skill of Alka Yagnik's voice and since Nadeem-Shravan have used Alka in most their songs, the comparison is inevitable. Palak collaborates with Rahat Fateh Ali Khan for 'Bilkul Socha Na,' which is salvaged by Rahat's powerful singing. This song is bound to get you nostalgic. Nakash's energy from his famous song 'Saree Ke Fall Sa' is completely missing. It is a mediocre composition that the singer fails to rise above.
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