They are widely enjoyed even among those who do not speak Hindi. Here is a representative selection of the best known bhajans by these poets. Kabir: Chadaria Jhini Re Jhini[edit]
This bhajan has been recorded by several 
well-known singers. Kabir refers to his body as a chadar, a sheet of cloth. Kabir is the best-known exponent of Nirguni bhajan, which celebrate a formless (nirguna) divinity, encouraging listeners to shed dogma and look at reality. Baba Bulleh Shah is another and the Bauls of Bengal have developed from these roots. The Sikh guru Nanak gathered many such bhajans into the Guru Granth Sahib.
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Swami Haridhoss Giri is one of the principal exponents of the Dhakshina Baratha sampradaya and is regarded by the bhajan fraternity as the sole reason for this traditional form of art to spread worldwide and to reach the masses
The trinity of gurus as far as Bhajans are considered as Bodhendra Swamigal, Sridhara Ayyaval and Marudhanallur Sadguru Swamigal. The sampradaya bhajana paddhati has mainly evolved due to the tradition and efforts of Marudhanallur Sadguru Swamigal. The bhajans are typically rendered in the following order:
Dhyana Slokam
Sangraha Thodaya Mangalam (Thotakam - Beginning with a praise, Mangalam - End)Thodaya Mangalam is different from Thotaka Ashtakam of the disciple of ADI SANKARA. The name comes from victory songs which were once sung for army generals. The victor wore a garland of palm leaves obtained from the only trees around a battlefield. Thodaya refers to the palm leaves. This is also the etymology of thodu, Tamil for earrings (as they were initially palm leaves rolled up and placed in a casket).
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- [11] Hindi film music has also been combined with local styles in the Caribbean to form "chutney music".
- [12]
Hindi film songs are present in Hindi cinema right from the first sound film Alam Ara (1931) by Ardeshir Irani which featured seven songs.
- This was closely followed by Shirheen Farhad (1931) by Jamshedji Framji Madan, also by Madan, which had as many as 42 song sequences strung together in the manner of an opera, and later by Indra Sabha which had as many as 69 song sequences.
- However, the practice subsided and subsequent films usually featured between six to ten songs in each production.
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Right from the advent of Indian cinema in 1931, musicals with song numbers have been a regular feature in Indian cinema.
- [3] In 1934 Hindi film songs began to be recorded on gramophones and later, played on radio channels, giving rise to a new form of mass entertainment in India which was responsive to popular demand.
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[4] She exhibited a keen early interest in music, and her father inspired her. She was accepted as a contestant at age 18 on a national TV show and competed admirably as a finalist in both that show and a successive similar show Junoon. At one time she considered studying medicine, but abandoned the idea in favour of pursuing a professional singing career. [5]
Mitra literally grew up with music: her father is a music teacher. Since the age of three, Mitra would sing along with other children who came to her home to learn from her father. When Mitra was eliminated from the contest, well-known music director Anu Malik offered her playback singing work, but Mitra returned to her home town and soon afterward (April 2006) she relocated to Mumbai to pursue a vocal-performance-for-film soundtrack career. She also participated as part of the Bollywood team of vocalist contestants in another popular Indian TV reality show, Junoon - Kuchh Kar Dikhaane Ka, where again she was not the winner, however she considers both shows learning and career-development experiences, and expressed gratitude to the TV audience, producers and judges of both contests for allowing her opportunities to perform for the broadcast audience and judges while competing.
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