The tempo switches from romantic to fun with 'Dil Cheez Tujhe Dedi'. Some Arabic flourishes and electronic beats kick off this Ankit Tiwari composition. The hook brings 90s pop song 'Didi' by Khaled to mind while the rest is retro Bollywood. Arijit Singh takes a turn from his usual mellow and romantic numbers for this masaledar gaana. 'Mera Nachan Nu' is a situational song with a strong Punjabi tadka by Amaal. Divya Kumar and Brijesh Shandilya rise to the occasion with their vocals.
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They are then sung by professional playback singers and lip-synched by the actors. Bollywood cinema is unique in that the majority of songs are seen to be sung by the characters themselves rather than being played in the background. [citation needed] In Western cinema, often a composer who specializes in film music is responsible for the bulk of music on the film's soundtrack, and while in some films songs may play an important part (and have direct relationship to the subject of the film), in Bollywood films, the songs often drive large-scale production numbers featuring elaborate choreography. Also in western films, a music director or "music coordinator" is usually responsible for selecting existing recorded music to add to the soundtrack, typically during opening and closing credits, whereas In Bollywood films, the music director often has a much broader role encompassing both composing music/songs specifically for the film and (if needed) securing additional (licensed) music, whereas the lyricist of Bollywood songs is less likely to be the same composer or music director, as Bollywood films often go to great lengths to include lyrics of special significance and applicability to the film's plot and dialogue, and/or the words of highly-regarded poets/lyricists set to music written specifically for such words in the film, as noted above. Bollywood film songs have been described as eclectic both in instrumentation and style. [6] They often employ foreign instruments and rework existing songs, showing remarkable inventiveness in the reinvention of melodies and instrumental techniques. [7] Indian cinema, with its characteristic film music, has not only spread all over Indian society, but also been on the forefront of the spread of India's culture around the world.
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Songs in Bollywood movies are deliberately crafted with lyrics often written by distinguished poets or literati (often different from those who write the film script), and these lyrics are often then set to music, carefully choreographed to match the dance routine or script of the film. They are then sung by professional playback singers and lip-synched by the actors. Bollywood cinema is unique in that the majority of songs are seen to be sung by the characters themselves rather than being played in the background. [citation needed] In Western cinema, often a composer who specializes in film music is responsible for the bulk of music on the film's soundtrack, and while in some films songs may play an important part (and have direct relationship to the subject of the film), in Bollywood films, the songs often drive large-scale production numbers featuring elaborate choreography.
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'Aaj ibaadat' blends Hindu and Muslim devotional hymns, with Shashi and Shreyas delivering the Marathi lines Javed Bashir leading the Sufi chant. 'Fitoori' is a Marathi folk song written by Prashant Ingole with Vaishali Made and Ganesh Chandanshive giving the vocals like Marathas. Devotional number 'Gajanana' gives a makeover to a Ganesh aarti in the voice of Sukhwinder Singh. For latest Music updates follow us on Twitter >>> @TOIEntertain For the latest in Music news, like us on Facebook >>> TOIEntertain WATCH: Deewani Mastani | Official Video Song | Bajirao Mastani | Deepika Padukone, Ranveer Singh, Priyanka Album: Dilwale Composer: Pritam Music: Sony Music Price: Rs 175 Rating: 4 Bollywood: Shah Rukh Khan and Kajol are back on the screen together for Dilwale — taking off from the title of their most popular film — in a rom-com film which also stars Varun Dhawan and Kriti Sanon.
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