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In 1980s, Pancham and Asha recorded subtle numbers for films like Ijaazat (1987)- "Mera Kuch Saaman", "Khaali Haath Shaam Aayi Hai" and "Katra Katra". They also recorded the popular duet "O Maria! " (Saagar). Asha 
used to call R D Burman "Bubs". She married him in 1980.
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- 'Jab tum chaho' is the retro love song with vocals by Mohammed Irfan, Darshan Raval and Palak Muchhal.
- 'Halo re' talks about the Radha-Krishna story through the rustic vocals of Aman Trikha.
- 'Tod tadaiyya' starts off with an 'ouch' like the song 'Dhak dhak karne laga' (Beta) and leads into a cheeky situational song by Neeraj Shridhar and Neeti Mohan.
- 'Bachpan kahan' has the composer Reshammiya himself getting sentimental about brotherly affection behind the mike.
- 'Murli ki taanon si' is a shorter, slower version of 'Aaj unse milna hai', followed by another version of the same song called 'Aaj unse kehna hai', this time sung by Aishwarya Majumdar, Muchhal and Shaan.
- Celebrations all round here.
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In a film, music, both in itself and accompanied with dance, has been used for many purposes including "heightening a situation, accentuating a mood, commenting on theme and action, providing relief and serving as interior monologue. "[5]
Production[edit]
Songs in Bollywood movies are deliberately crafted with lyrics often written by distinguished poets or literati (often different from those who write the film script), and these lyrics are often then set to music, carefully choreographed to match the dance routine or script of the film. They are then sung by professional playback singers and lip-synched by the actors. Bollywood cinema is unique in that the majority of songs are seen to be sung by the characters themselves rather than being played in the background.
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5 Nadeem Saifi and Sharavan Kumar were a hit pair way back in the 90s. Whenever you think of them, you think of the unforgettable songs from films like 'Raja Hindustani'. Nadeem returns after a long hiatus, this time alone, and his music doesn't have half the same magic as before. It's not bad music but it's far too dated to strike a chord. The title track, sung by Jubin Nautiyal and Palak Muchchal, is passable. Though the feel of the music is very 90s, the composition is weak and doesn't try anything new. The only plus here is that the composer's focus is on the tune, vocals and lyrics.
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