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Third person plural: ये ye - These / They
3rd person plural: वे ve- Those / They
You will usually hear वे ve being pronounced while the singular “voh”. The 3rd person plural pronouns stick to the same principles: ये ye for individuals / things near to you personally (in the length sense) and वे vo for individuals / things further away. Note that both यह yeh or वह voh could mean either “he” or “she”, generally there is no difference according to the sex of the way you are speaking with. You must depend on the context of this phrase to determine if an individual is speaking with a “he” or “she”. Determine what sort of shoot you need to see. There are certain things that you, personally, don't want to see.
'Theme of Dilwale' (DJ Chetas Mix) is a club version of 'Janam janam'. Catchy songs and superlative singing on this one. For latest Music updates follow us on Twitter >>> @TOIEntertain For the latest in Music news, like us on Facebook >>> TOIEntertain WATCH: Gerua - Shah Rukh Khan | Kajol | Dilwale | Pritam | SRK Kajol Official New Song Video 2015
Album: Hate Story 3 Composer: Amaal Mallik, Baman Music: T-Series Price: Rs 175 Rating: 4 Bollywood: The latest installment of the Hate Story franchise of erotic thrillers has some sensual tunes by composers Amaal Mallik, Meet Bros and Baman with lyricists Rashmi Virag, Kumaar, Manoj Muntashir and Shabbir Ahmed delivering some erotica and romance. Nadeem-Shravan fans will rejoice at the recreation of 'Tumhe apna banane ki kasam khayi hai' from 1990s film Sadak. Album opener 'Tumhe apna banane ka' by Amaal Mallik is rewritten by Rashmi Virag.
- Swati Sharma's spirited singing saves the day for the fusion number.
- 'Duwa Mein' has a convoluted musical arrangement.
- At a few places, the song is good but for most part, it is a damp squib.
- The next, 'Nimboo Sa Ishq' is a decent composition, with the right mix of Sufi and Western beats.
- Nikhil D'souza and Swati Singh do a commendable job but it takes a while to get hooked on to the track.
- Vivek Kar's rock beats puts the spotlight on Swati in 'Ganga Maiya,' who is top-notch.
- But the same cannot be said about the song, which is hardly memorable after one hearing.
For over five decades, these songs formed the staple of popular music in South Asia and along with Hindi films, was an important cultural export to most countries around Asia and wherever the Indian diaspora had spread. The spread was galvanised by the advent of cheap plastic tape cassettes which were produced in the millions till the industry crashed in 2000.  Even today Hindi film songs are available on radio, on television, as live music by performers, and on media, both old and new such as cassette tapes, compact disks and DVDs and are easily available, both legally and illegally, on the internet. 
Style and format
The language of Hindi songs can be complex. Some Hindi songs include Urdu and Persian words and phrases and it is not uncommon to hear use of English words in songs from modern Hindi movies. Several other Indian languages have also been used including Braj, Avadhi, Bhojpuri, Punjabi, Bengali and Rajasthani.
'Tere Liye Mere Kareem' is a haunting 'gaana' that would make more sense within the film's context than as a standalone piece of music. Composer Prashant Pillai also gets behind the mike to deliver this track with 'Gagan Baderiya'. AM Turaz has written some spine-tingling lyrics for this one. Fusion rock band Advaita have contributed 'Khel Khel Mein' in a simple composition that honours the 'sarangi'. Abhijeet Deshpande's words get due 'gravitas' from actor Amitabh Bachchan, whose voice takes it up a notch.
It is novel thinking when any composer uses Arijit for something more than romantic songs. Himesh dares him with the energetic Main Teri Yadoon Mein. Subrat Sinha's lyrics give the song a nice touch and Arijit's soulful voice helps elevate this spirited number. Haal-E-Dil by Neeti and Sreeram Chandra evokes mixed reactions. While you can't help but praise the way Neeti tackles the complexities of the track, Sreeram's part is half-baked.