Songs in Bollywood movies are deliberately crafted with lyrics often written by distinguished poets or literati (often different from those who write the film script), and these lyrics are often then set to music, carefully choreographed to match the dance routine or script of the film. They are then sung by professional playback singers and lip-synched by the actors. Bollywood cinema is unique in that the majority of songs are seen to be sung by the characters themselves rather than being played in the background. [citation needed] In Western cinema, often a composer who specializes in film music is responsible for the bulk of music on the film's soundtrack, and while in some films songs may play an important part (and have direct relationship to the subject of the film), in Bollywood films, the songs often drive large-scale production numbers featuring elaborate choreography. Also in western films, a music director or "music coordinator" is usually responsible for selecting existing recorded music to add to the soundtrack, typically during opening and closing credits, whereas In Bollywood films, the music director often has a much broader role encompassing both composing music/songs specifically for the film and (if needed) securing additional (licensed) music, whereas the lyricist of Bollywood songs is less likely to be the same composer or music director, as Bollywood films often go to great lengths to include lyrics of special significance and applicability to the film's plot and dialogue, and/or the words of highly-regarded poets/lyricists set to music written specifically for such words in the film, as noted above. Bollywood film songs have been described as eclectic both in instrumentation and style.
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It would be considered extremely rude in Hindi to utilize तू too when speaking with a complete stranger or someone you barely know. Third person single: यह yah - He / She/ It / This
3rd individual plural: वह vah - He / She/ It / That
In talked Hindi these words are pronounced somewhat differently: यह is pronounced yeh and वह is pronounced voh. Use यह yeh whenever referring to somebody or something like that near to you, therefore if someone is standing suitable after that to you personally, use यह yeh. Use वह voh whenever talking about someone or something like that further away, so if someone is standing up in the opposite side regarding the road, use वह voh. Whenever in doubt, usage वह voh.
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Badan pe sitare lapete hue (Prince, 1969)
With stars wrapped around you. Yeh Chaand Sa Roshan Chehra (Kashmir Ki Kali, 1964)
This face shining like the moon. Chaudhvin 
Ka Chand ho (Chaudhvin Ka Chand, 1960)
Are you full moon. Making a commitment for life[edit]
Jab koi baat bigad jaaye (Jurm, 1990)
When something will go wrong.
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Sampradaya Bhajan[edit]
Sampradaya Bhajan or Dakshina Bharatha Sampradaya Bhajan is the tradition of Bhajans (singing songs in praise of God and his divine love and simplicity) in India, particularly in South India. "Dakshina" means "south" in Sanskrit and "Bharat" means "India". "Sampradaya" means a tradition which is handed down by one's ancestors. It is the collection of Kirtanas (songs) and Namavalis (songs composed of names of Hindu gods like Lord Rama, Lord Krishna etc. ) in a specific order. Marudhanallur Sadguru Sri Venkataramana Swamigal was instrumental in establishing the format and had chosen the songs himself. Later Sri Pudukottai Gopala Krishna Bhagavathar, and Sri Krishna Premi were instrumental in identifying the Kirtanas and Namavalis that are to be sung in any Bhajan and their evolution.
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