Some good examples of their sensuous numbers are "Aaiye Meherbaan" picturised on Madhubala (Howrah Bridge, 1958) and "Yeh Hai Reshmi Zulfon Ka Andhera" picturised on Mumtaz (Mere Sanam, 1965). "Aao Huzoor Tumko" (Kismat) and "Jaaiye Aap Kahan" (Mere Sanam) were also popular. They also recorded songs for many hit movies like Tumsa Nahin Dekha (1957), Ek Musafir Ek Hasina (1962), Kashmir Ki Kali (1964). O. P. Nayyar used the Asha Bhosle-Mohammad Rafi duo for his most popular duets such as "Ude Jab Jab Zulfein Teri" (Naya Daur), "Main Pyaar Ka Rahi Hoon" (Ek Musafir Ek Haseena), "Deewana Hua Baadal" and '"Ishaaron Ishaaron Mein" (Kashmir Ki Kali). [citation needed]
Asha recorded her last song for O.
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Find out fundamental words for some time place. When you become familiar aided by the times of the week, move on to various other fundamental Hindi 
terms, bearing in your mind the Devanagari script. [27]
Yesterday, Hindi word: kal, script:कल
These days, Hindi term: aaj, script: आज
The next day, Hindi word: kal, script: कल
Day, Hindi term: din, script: दिन
Night, Hindi word: Raat, script: रात
Week, Hindi word: haftaa, script: हफ़्ता
Period, Hindi word: maheenaa, script: महीना
Years, Hindi word: aal, script: साल
2nd, Hindi word: doosRaa
Minute, Hindi term: mint, script: मिनट
Hour, Hindi word: gantaa, script: घंटा
Day, Hindi term: saveRey, script: सवेरे
Evening, Hindi term: shaam, script: शाम
Noon, Hindi term: dopeheR, script: दो पहर
Midnight, Hindi term: aadeeRaat, script: आधी रात
Now, Hindi word: ab, script: अब
Later, Hindi word: baad mey, script: बाद में
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'Wat wat wat' finds Arijit in a different, upbeat mood. The dance song has addictive beats and Punjabi vocals by Shashwat Singh. 'Chali kahani' is a narrative in the voice of Sukhwinder Singh whose voice rises to a crescendo. Haricharan and Haripriya lend able support. Road song 'Safarnama' marks a comeback of sorts for Lucky Ali who sounds a lot like Rahman here. Instrumental number 'Parade de la bastille' makes good use of violins and bagpipes.
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Rahman's compositions, Madhushree hails from a musically inclined family, having previously been trained in classical and western styles music. Her father wanted her to be a classical singer, Madhushree joined the Rabindra Bharati University and completed her masters, but her desire was always to be a playback singer. 2001 "Mohabbath Zindagi Hai" Moksha Rajesh Roshan Solo
2002 "Nainaa Milaike" Saathiya A. R. Rahman Sadhana Sargam
2003 "Na Shiqwa Hota" Tehzeeb A. R.
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